CAST ANNOUNCEMENT: Acclaimed actor Richard Coyle to star as Atticus Finch in To Kill A Mockingbird at Leeds Playhouse
Thu 3 Jul, 2025
‘All rise for this powerfully uplifting theatrical event’ — Evening Standard
Aaron Sorkin’s riveting, award-winning stage adaptation of the seminal American novel about racial injustice and childhood innocence became a Broadway and West End sensation with star-studded sell-out seasons on both sides of the Atlantic. Now this thrilling courtroom drama opens at Leeds Playhouse ahead of a national tour.
Successful lawyer, Atticus Finch, encourages kindness and empathy in his children, but is pushed to the limits of these qualities himself when he resolves to uncover the truth in a town that seems determined to hide it.
Set in 1934 Alabama, To Kill a Mockingbird was inspired by novelist Harper Lee’s own childhood and has sold more than 45 million copies worldwide. It won the Pulitzer Prize for Literature and was long at the top of the banned book lists.
A Leeds Playhouse Production.
Atticus Finch
Ensemble
Mr Cunningham / Boo Radley
Judge Taylor
Ensemble
Ensemble
Sheriff Heck Tate
Calpurnia
Horace Gilmer
Mrs Dubose
Miss Stephanie / Dill's Mother
Adapter/Playwright
Director
Set Designer
Costume Designer
Design Supervisor
Lighting Designer
Sound Designer
Composer
Musical Supervisor
Associate Director
Casting Director
To Kill a Mockingbird is a celebrated and beloved novel by Harper Lee, set in 1930s Alabama. Told from the perspective of three white children, it tells the story of a trial in which a young Black man is falsely accused of raping a young white woman. Like the book, this stage adaptation by Aaron Sorkin explores interpersonal and systemic racism and injustice in the Jim Crow south, and includes antiquated racial language, antisemitism and anti-Black racism throughout. The N-slur is used throughout the production by several characters, and Klu Klux Klan hoods are worn. It also features reference to sexual violence, including child abuse and incest.
Anti-Black Racism in the American South is at the heart of this story, with particular reference to inequity in the justice system. The production depicts segregation and dehumanisation, graphic threats of lynching, and a description of the murder of a an African American character in custody. The production includes references to the Klu Klux Klan (including use of KKK hoods), frequent use of the N-slur and outdated language to describe and dehumanise African American characters.
The production includes antisemitism and outdated language in reference to indigenous communities.
The production includes moments brimming with violent tension and three brief fights, as well as play-fighting by the children. There are numerous descriptions of violence including numerous death and threats of lynchings, some of which are graphic. Some of this violence is directed at children. The production also features numerous discussions about suicide. There are no visual depictions of death or injury on stage.
The production features a rape trial, in which a young white woman falsely accuses a young Black man. In addition to descriptions of the details of the case, there are references to sexually assaulting children and to incest. There are no visual depictions of sexual violence on stage.
There is a scene containing multiple gunshots, which is part of the recorded soundtrack. The production also features a loud bang of a jail door closing.
As indicate above, racially violent language is used throughout along with misogynistic language and mild swearing.
MAJOR FUNDERS
Principal Partner
Principal Access Partner